course, is that after this concert, do not feel like singing more and keep the memory of something so beautiful just as experienced yesterday at the Cathedral of San Martín, thanks to the lovable invitation of our friend Oscar Messiah.
do not know what I can tell, because the truth is that those things that transcend the musical fact and fill the soul with gratitude for having been there, so well that we have tried.
I think that must have influenced our performance much because of me is feeling, as a member of Vocal grupete New Residence, having given our best show to date. Obviously, I can not be even remotely objective, but still being conscious of having ugly blunders at some time, just feel like I let all of us in this warm setting. And here comes what I can say about our performance, because anything else would say tainted by my own feelings at the moment.
But if you just mentioned "that warm stage", is because despite the cold night, the Chamber Choir Allegro Molto warm altar left us after his performance.
When I notice of this meeting, I threw in passing that "Allegro Molto sounds more and better," I do not know if I was ever as accurate as with the short definition. The CCMA has really shown progress evident in every action of his that I witnessed, and this time was no exception.
The code is simply an excuse, so I will just mention: "Chant des oiseaux" (Jannequin), "Weep o mine eyes" (Bennett), "The Seven Words of Christ on the Cross" (C. Franck) "Cum Sancto Spiritu (Vivaldi)," Hallelujah! " (Handel). All works in the exact cooking point, perhaps with a tiny stain (with which this year come very fussy), which was the diction of the soloists, who at times, and even considering singing in Latin , are not understood much. I say the only blemish, because in pitch, volume and expressiveness, there was nothing, but nothing serious, that reproach.
Then I leave a small sample video, taken with my palm (so do not expect high definition and surround sound Dolby 7.1), and hoping that the controversies generated by this case as in other media corals because of certain recordings "underground" concerts. Not even asked for permission, so I stick to flogged want to strike me.
Enough talk, here is the "Cum Sancto Spiritu" according to the Allegro Molto:
Johann
do not know what I can tell, because the truth is that those things that transcend the musical fact and fill the soul with gratitude for having been there, so well that we have tried.
I think that must have influenced our performance much because of me is feeling, as a member of Vocal grupete New Residence, having given our best show to date. Obviously, I can not be even remotely objective, but still being conscious of having ugly blunders at some time, just feel like I let all of us in this warm setting. And here comes what I can say about our performance, because anything else would say tainted by my own feelings at the moment.
But if you just mentioned "that warm stage", is because despite the cold night, the Chamber Choir Allegro Molto warm altar left us after his performance.
When I notice of this meeting, I threw in passing that "Allegro Molto sounds more and better," I do not know if I was ever as accurate as with the short definition. The CCMA has really shown progress evident in every action of his that I witnessed, and this time was no exception.
The code is simply an excuse, so I will just mention: "Chant des oiseaux" (Jannequin), "Weep o mine eyes" (Bennett), "The Seven Words of Christ on the Cross" (C. Franck) "Cum Sancto Spiritu (Vivaldi)," Hallelujah! " (Handel). All works in the exact cooking point, perhaps with a tiny stain (with which this year come very fussy), which was the diction of the soloists, who at times, and even considering singing in Latin , are not understood much. I say the only blemish, because in pitch, volume and expressiveness, there was nothing, but nothing serious, that reproach.
Then I leave a small sample video, taken with my palm (so do not expect high definition and surround sound Dolby 7.1), and hoping that the controversies generated by this case as in other media corals because of certain recordings "underground" concerts. Not even asked for permission, so I stick to flogged want to strike me.
Enough talk, here is the "Cum Sancto Spiritu" according to the Allegro Molto:
Johann 
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