is terrible, old, so you can not. My last concert was last year with AlmaVoce mid-December, with a sense temperature of 43 º. My first concert this year was on Saturday, back in the confines of the Federal Capital, where the polar wind was no obstacle to take their arctic temperatures everywhere, and it goes without saying that the doors and windows of the church " Cristo Obrero "he opposed a token resistance. Even the profusion of enclosure heaters (all full) could prevent the mercury column remains stable around 0 degrees. And winter has not yet started fucking.
Such was the environment which produced the expected debut of Vocal grupete New Residence, which announced with much fanfare in the previous post.
Luckily, we were not alone in the heroic task of fighting the cold with our music prevailed, and that the meeting took place as part of the cycle "Sing Buenos Aires, coordinated among others by Hugo Castro. A commendable initiative that deserves the greatest success, and this time we met her Yupaz Vocal with The Beast Coral Juan Martin Picarel and the Chamber Choir of the French Institute of Marcelo Valva.
The other "enemy" with which we had to deal with was hyper-reverberant acoustics of the church, and in that sense, that led the losers was the Vocal Yupaz , who opened the meeting with his version of "The iceberg "Adrian Abonizio (very allegorical, by the way). And I say it is losing because of the 4 preset groups, was presenting a more rhythmic, with almost constant percussion and guitar, and being a large group , was even more difficult to assess the arrangements and lyrics that played. Still, Yupaz is a fairly homogeneous group and very experienced, which left more than airy commitment, in part thanks to the outstanding performance of the soloists.
Of course, Castro teacher, I have to say, in my opinion "Ji-ji-ji", the Redonditos Ricotta is not to make a song with a chorus. Perhaps I am too Round fan, and even more ricotero that stage, but I think there are issues "corals" of the Indian and Skay. Might be "That star was my luxury," or something like that.
Other songs I liked a lot, and I felt like listening to "A step", one of the most enjoyable works of the repertoire of Vocal Yupaz.
"Coral The Beast", who performed after us, disappoint all the expectations that had ... in their name. In effect, showed great subtlety, expressiveness and good taste in their interpretations of "It's only a paper moon", "Blackbird" and "Moondance" in Picarel own arrangements with strong trends jazz and hints of barbershop (and I see me stopping Cello ear to read this little word), then going for a very solid rendition of "This marriage" by Eric Whitacre, and closing with a folk theme, "Villa de Villares under Argentine Vocal Group, which I loved so neat and well sung.
say he was the debut of the Beast Coral ... Well, considering that, and the youth of its director and its members, the projection that I see in this group is scary. Keep it up. The
Chamber Choir of the French Institute of Ramos Mejía (maybe Coni known) is a chamber choir with all of the law. Or almost, because escaped a bit average with some popular repertoire, but always making it clear his style chamber music. " Even, even ventured to reinvent "the song most beloved and hated the Argentine choral repertoire" (as chosen words of Marcelo Valva), Liliana Cangiano arrangement of "Te quiero" de Benedetti and Favero, a very beautiful version ... and of course, good camera.
What I most enjoyed about the performance of the CCIF was the piece that opened his performance, "Ave Maria" by Franz Biebl, which I think is what best fits your style. Popular works (the aforementioned "I Love You", "The old cooper" arrangement with Ricardo Mansilla, and "white bicycle" under Valva itself), but sounded wonderfully in tune, filling and (his way) in expression, suffered a major problem in this genre, which is the lack of clarity in Lyrics, something to be noticed much in the work of Piazzolla and Ferrer. Eye, we must also recognize that in this sound, it was impossible to understand even a speaker of the ISER reciting the "Arroz con leche", but a little work on the diction will add much to this group. Moreover, there is nothing to blame, the truth is that I was eager to hear more of the CCIF. It will not miss an opportunity, I hope.
As for us, What I can tell ... I did not stop to enjoy a moment while we sang. I think we were pretty good, or at least that was the impression I got from the subsequent comments.
But thanks to new technologies and, above all, the Herculean work of my co-rope without embarrassment (and I congratulated him by phone, but I take this opportunity to repeat in public, because it sent a phenomenal laburo) , I leave here the opportunity to judge for yourself.
Ladies and gentlemen, this ... Vocal grupete the New Residence performing "Heart Breastplate" by Mario Benedetti and Beatriz Corona:
YouTube, right? Hope you enjoy it. Moreover, I think that right there can leave their comments, and if not, they can do it here.
Our next concert will be ... hehe, read the next post, to be published shortly.
Hold on a bit, che,
Johann
Such was the environment which produced the expected debut of Vocal grupete New Residence, which announced with much fanfare in the previous post.
Luckily, we were not alone in the heroic task of fighting the cold with our music prevailed, and that the meeting took place as part of the cycle "Sing Buenos Aires, coordinated among others by Hugo Castro. A commendable initiative that deserves the greatest success, and this time we met her Yupaz Vocal with The Beast Coral Juan Martin Picarel and the Chamber Choir of the French Institute of Marcelo Valva.
The other "enemy" with which we had to deal with was hyper-reverberant acoustics of the church, and in that sense, that led the losers was the Vocal Yupaz , who opened the meeting with his version of "The iceberg "Adrian Abonizio (very allegorical, by the way). And I say it is losing because of the 4 preset groups, was presenting a more rhythmic, with almost constant percussion and guitar, and being a large group , was even more difficult to assess the arrangements and lyrics that played. Still, Yupaz is a fairly homogeneous group and very experienced, which left more than airy commitment, in part thanks to the outstanding performance of the soloists.
Of course, Castro teacher, I have to say, in my opinion "Ji-ji-ji", the Redonditos Ricotta is not to make a song with a chorus. Perhaps I am too Round fan, and even more ricotero that stage, but I think there are issues "corals" of the Indian and Skay. Might be "That star was my luxury," or something like that.
Other songs I liked a lot, and I felt like listening to "A step", one of the most enjoyable works of the repertoire of Vocal Yupaz.
"Coral The Beast", who performed after us, disappoint all the expectations that had ... in their name. In effect, showed great subtlety, expressiveness and good taste in their interpretations of "It's only a paper moon", "Blackbird" and "Moondance" in Picarel own arrangements with strong trends jazz and hints of barbershop (and I see me stopping Cello ear to read this little word), then going for a very solid rendition of "This marriage" by Eric Whitacre, and closing with a folk theme, "Villa de Villares under Argentine Vocal Group, which I loved so neat and well sung.
say he was the debut of the Beast Coral ... Well, considering that, and the youth of its director and its members, the projection that I see in this group is scary. Keep it up. The
Chamber Choir of the French Institute of Ramos Mejía (maybe Coni known) is a chamber choir with all of the law. Or almost, because escaped a bit average with some popular repertoire, but always making it clear his style chamber music. " Even, even ventured to reinvent "the song most beloved and hated the Argentine choral repertoire" (as chosen words of Marcelo Valva), Liliana Cangiano arrangement of "Te quiero" de Benedetti and Favero, a very beautiful version ... and of course, good camera.
What I most enjoyed about the performance of the CCIF was the piece that opened his performance, "Ave Maria" by Franz Biebl, which I think is what best fits your style. Popular works (the aforementioned "I Love You", "The old cooper" arrangement with Ricardo Mansilla, and "white bicycle" under Valva itself), but sounded wonderfully in tune, filling and (his way) in expression, suffered a major problem in this genre, which is the lack of clarity in Lyrics, something to be noticed much in the work of Piazzolla and Ferrer. Eye, we must also recognize that in this sound, it was impossible to understand even a speaker of the ISER reciting the "Arroz con leche", but a little work on the diction will add much to this group. Moreover, there is nothing to blame, the truth is that I was eager to hear more of the CCIF. It will not miss an opportunity, I hope.
As for us, What I can tell ... I did not stop to enjoy a moment while we sang. I think we were pretty good, or at least that was the impression I got from the subsequent comments.
But thanks to new technologies and, above all, the Herculean work of my co-rope without embarrassment (and I congratulated him by phone, but I take this opportunity to repeat in public, because it sent a phenomenal laburo) , I leave here the opportunity to judge for yourself.
Ladies and gentlemen, this ... Vocal grupete the New Residence performing "Heart Breastplate" by Mario Benedetti and Beatriz Corona:
YouTube, right? Hope you enjoy it. Moreover, I think that right there can leave their comments, and if not, they can do it here.
Our next concert will be ... hehe, read the next post, to be published shortly.
Hold on a bit, che,
Johann 
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